Curatorial Cult Club/Kwestion Quration?
Sandwich Board #1-Loneliness. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Dry Erase Marker on sandwich board. Size varies. Artist photo.
Curation Study #1 - Installation Detail (Which type of curator are you?). From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Xerox on copy paper. 8.5 x 11 inches. Image from Carmel, James. Exhibition Techniques. NY: Reinhold, 1962. Artist digital photo.
Sandwich Board #2 - Free Quarters. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Dry Erase Marker on sandwich board. Size varies. Artist photo.
Curation Study #2 - Free Quarters. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Silver quarters on paper. Size varies. Artist photo.
Sandwich Board #3 - Curating As Pontoon Boat Detail. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Dry Erase Marker on sandwich board. Size varies. Artist photo.
Curation Study #3 - Pontoon Boat as Curatorial Ecosystem. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Xerox on copy paper. 8.5 x 11 inches. Artist digital photo.
Curation Study #4 - Curator Flakes. Curatorial Cereal Taste Test. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. 8.5 x 11 inches. Image www.cerealfreak.com. Artist digital photo.
Curation Study #5 - Open/Closed Museum Sign. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 curatorial actions, sandwich boards, & visual image handouts. Size varies. Artist photo.
Curation Study #6 – Fly Swatter Smiley Face/Curator Fly Swatter Survey. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. 8.5 x 11 inches. Internet stock image. Artist digital photo.
Curation Study #7 – Curating Thrifties Detail/Dog Painting. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Progression of 19 thrift store artworks for sale at Turrell Sky Pesher Tunnel. Thrifty Artist Carol Lew, date unknown. 12 x 14 inches. Artist photo.
Curation Study #8 – Curating the Big Show/Celebrity Curation. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Internet Image/Alison Gingeras Butt. 8.5 x 11 inches. Artist digital photo.
Curation Study #9 – When I Grow Up I Wanna Be A Curator. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. 8.5 x 11 inches. Internet image. Artist digital photo.
Sandwich Board #10 - Detecting Curation. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Metal detector, Dry Erase marker on sandwich board. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Size varies. Artist photo.
Curation Study #10 – Detecting Curation/Wolfgang Puck Hamburger. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Performative “CSI” image of found hamburger by artist while detecting curatorial detritus around museum. Image 12 of 34 objects. Found half-eaten Wolfgang Puck Hamburger, penny, type scale, marker on copy paper. 8.5 x 11 inches. Artist photo.
Curation Study #11 – Curatorial Revolving Door. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Internet image on paper. 8.5 x 11 inches. Artist digital photo.
Curation Study #12 – Curator As God. From Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN, 2010. Series of 10 weekly curatorial actions, sandwich boards, & visual image handouts. Internet image of Han Ulrich Obrist with Gilbert & George on paper. 8.5 x 11 inches. Artist digital photo.
The conceptual project, Curatorial Cult Club/Kwestion Quration? at the Walker Art Center Open Field commons was an artist curated, ten week participatory and performative solo exhibition and alternative publication project. The hybridic project started as a post work/happy hour discussion group that questioned the shape shifting status of curation. Based in the variables of viewer and audience participation, museum rules and guidelines, and artist and museum worker communication, the project changed shape throughout the summer with weekly art and social dialogue, interactivity, and exchange.
The three main goals of the Curatorial Cult Club/Kwestion Quration? were to: 1. Demystify and discuss the multiple vectors of the curator, the curation field, and the curatorial habitat and ecosystem. 2. Co-Curate a participatory exhibition/event within the Open Field commons that questions curation. 3. Self-publish our curatorial discussion/outcome in an alternative publication at the end of the summer.
Multiple curation topics and definitions were informed organically via participant discussion. From curatorial models and museological structures to the curator as a developer of institutional memory, the weekly conversation acted as a springboard to our collective exhibition and publication. Topics included but were not limited to: Curatorial & Museological Spatiality, Habitats, & Structures; Curatorial Cults & Curator Star Status; Curator Traveler/Art Tourist; Curator as Critic, Collector, Gallery Owner; Curator as Participant & Viewer; Academic & Institutional Curator Vs. the Everyday Armchair Curator; Curatorial Capitalism & Markets; and a Curatorial Information Exchange.
Each week a brief structure was followed and expanded upon by the artist and participants: Creating the sandwich board, conversing with participants, distributing visual study handouts, taking physical or handwritten surveys, performing interactive tasks, recording documentational cell phone photos and videos, as well as follow up with internet post distribution via social media.
One week offered the theme of the Pontoon Boat as Curatorial Ecosystem, where participants engaged in the topic of the common Pontoon Boat as a site for aesthetic, creative and curatorial exchange. Another weekly theme questioned human nature and curatorial behavior with What Cereals do Curators Eat?, by engaging viewers in an interactive and participatory Curator Flakes cereal taste test. A live Curatorial Fly Swatter Survey was another theme, where common fly swatters were given to museum goers to curate, operate, and manipulate.
A culminating exhibition and alternative publication were created with the theme, Detecting Curation, where participants used a metal detector around the museum commons to search for curatorial detritus. With a handheld, point-of-view cell phone video recording, the archeological digging and unveiling of found detritus, artifacts, and common waste became an alternative publication, and placed in an anonymous labeled box on a picnic table. Each item discovered during the search was later documented and posted with a performative “CSI” image.
The artist credits the Walker Art Center Open Field team, Sarah Schultz, Scott Stulen, Sara Shaylie, Jehra Patrick, Walker interns, public participants, and many others for their generous support of this site-specific project.
Stats:
Duration: 10 weeks
Elevation: 857 feet ASL.
Links:
Curator Cult Club Initial Survey
Curator Cult Club/KQ? Statement